Minerva McGonagall & Severus Snape FriendshipĪlbus Dumbledore had spent just under 6 years searching for Harry Potter.Good Grandparent "Abuela" Alma Madrigal.Hogwarts School of Witchcraft and Wizardry. Bruno Madrigal & Julieta Madrigal & Pepa Madrigal. Hermione Granger & Harry Potter & Ron Weasley.TheMadDisneyFan Fandoms: Harry Potter - J. The two strike a deal that Camilo would return the earrings he took from Marco if Marco takes him to see the candle lights that appears by the split mountains for the past three years.Įncanto Tangled AU where Camilo is Rapunzel! Language: English Words: 6,055 Chapters: 1/? Comments: 1 Kudos: 1 Hits: 13 He does just so when he is framed for stealing the missing Madrigals earrings. Marco Osma was never one to get into big trouble. Takes place in the universe of Encanto!.Alternate Universe - Tangled (2010) Fusion.Soccer Boy (Disney: La fantastique famille Madrigal).Camilo Madrigal/Soccer Boy (Disney: La fantastique famille Madrigal).“We Don’t Talk About Bruno” describes the family’s problems while foreshadowing their solutions, and by using the key of C, the music is making an explicit connection between these solutions and the ultimate resolutions of the family’s trauma. “What Else Can I Do?” moves to that key during Isabela’s crucial breakthrough, and Abuela (Mirabel’s intransigent grandmother) has her own breakthrough in the ballad “Dos Oruguitas” in that key. Conversely, when the family confronts its problems and trauma later in the film, the music moves back into the key of C. In contrast, songs that highlight Mirabel’s growing distance from her family ( “The Family Madrigal” and “Waiting on a Miracle”) foreground the note C-sharp as a pitch one note away from C these moments musically show Mirabel being pulled away from her family’s key of C. The song is in the key of C-that is, the note C serves as its central home pitch-a key that has already played an important role in the soundtrack, with scenes that highlight familial love and connection set in this key. The Strange Story of the Last Time Hollywood’s Actors Went on StrikeĮven the key of “We Don’t Talk About Bruno” hides information about the plot’s final resolution. The New Mission: Impossible Reveals That the Franchise Has Always Had an Unlikely Big Bad The New Mission: Impossible’s Big Twist May Not Be What It Seems I Saw the Grim Child-Trafficking Movie That’s Filling Theaters. By being too fast and too soft, the music cleverly forces the audience into the same relationship with Dolores that she has with the rest of the family: She is trying to tell us the truth about Bruno, but we’re unable to fully understand her. Delivered at twice the speed of any other verse, she whispers her syllables (compare the full-throated Pepa with the muted Dolores), making her words difficult, if not impossible, to comprehend. But while Dolores drops these narrative bombshells, the music is too fast and too soft for us to fully understand her. In the scant 19 seconds that she sings, her circuitous and roundabout lyrics reveal that she still hears Bruno around the house (“I can always hear him sort of muttering and mumbling”) and that he tried to use his gift to help the family (“it’s a heavy lift with a gift so humbling”), but he became alienated from his mother and siblings when his prophecies failed to align with their expectations (“grappling with prophecies they couldn’t understand”). In “We Don’t Talk About Bruno,” Dolores’ verse recounts what she’s heard and deduced about her supposedly absent uncle. The family, however, treats Dolores like a magical courier service, asking her only to mechanically report on events and ignoring her feelings and input. Perhaps the most compelling moments in the song are those sung by Dolores, Mirabel’s cousin, whose magical ears allow her to hear every movement and conversation within miles.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |